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Graham Hill Pflege Shaving & Refreshing Casino ...
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15,00 € *
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Eine gründliche und dennoch sanfte Rasur ermöglicht Ihnen die Shaving & Refreshing Shaving Soap Bar Casino von Graham Hill. Die Rasierseife besitzt eine cremige Textur und ist somit besonders mild zum Barthaar sowie der darunterliegenden Haut.Milde Rasierseife mit herrlich cremiger TexturDie Shaving & Refreshing Shaving Soap Bar Casino von Graham Hill ist eine milde Rasierseife, die eine gründliche und schonende Rasur ganz einfach macht. Dank der milden, cremigen Textur mit Panthenol, Phytantriol und Silberweidenextrakt gleiten die Rasierklingen geschmeidig über die Haut. Ein tolles Hautgefühl ist Ihnen mit dieser Rasierseife Tag für Tag sicher.Die Anwendung der Seife ist einfach: Zuerst werden das Gesicht und der Rasierpinsel angefeuchtet. Anschließend schäumen Sie die Rasierseife mit dem Pinsel auf und tragen sie in kreisenden Bewegungen und ohne Druck auf das Gesicht auf. Nun können Sie Ihr Gesicht rasieren. Im Anschluss wird die Seife gründlich abgespült. Nach der Rasur sollten Sie Ihre Haut mit einem After Shave aus dem Hause Graham Hill beruhigen und erfrischen.

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Casino Jack (Dvd) - Kevin Spacey/graham Greene,...
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Titel: Casino Jack (Dvd), Titelzusatz: Kevin Spacey/graham Greene, Medium: DVD, Erscheinungsdatum: 11.01.2016, FSK/USK: 12, Gewicht: 100 gr, Rubrik: Komödie, Verkäufer: averdo

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Graham Hill Pflege Shaving & Refreshing Shaving...
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Eine sanfte, gründliche Rasur erreichen Sie mit dem Shaving & Refreshing Shaving Set von Graham Hill. Das Rasur Gesichtspflege-Set mit Rasierseife, After Shave und Rasierpinsel bietet Ihnen alles, was Sie für eine zuverlässige Rasur benötigen.Das hat das Shaving & Refreshing Shaving Set von Graham Hill zu bietenDie Casino Shaving Soap Bar ist die perfekte Basis für eine gründliche Rasur. Es handelt sich dabei um eine besonders milde Seife, die mit ihrer cremigen Textur für ein geschmeidiges Gleiten des Rasierers sorgt. Die Rezeptur mit pflanzlichen Ölen pflegt gleichzeitig die Haut, während das pflanzliche Glycerin für einen Feuchtigkeitsschub sorgt. Für ein angenehm frisches Hautgefühl sorgt ein herbfrischer Duft aus Tee, Eukalyptus und Holznoten.Nach der Rasur erfrischen und pflegen Sie die Haut mit dem Mirabeau After Shave Tonic. Das After Shave ist für jeden Hauttyp geeignet und sorgt mit Extrakten aus dem indischen Feigenkaktus für einen zuverlässigen Hautschutz. Die Formulierung ist zudem mit beruhigendem, desinfizierendem und feuchtigkeitsspendendem Allantoin angereichert. Zusätzlich punktet das After Shave mit einem vitalisierenden, mild-frischen Duft von grünem Tee, Jasmin, Lindenblüte und frischer Minze.Komplettiert wird das Gesichtspflege Rasierset von einer Shaving Brush, die das Aufschäumen der Rasierseife erleichtert und für einen besonders cremigen Schaum sorgt.

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Graham Hill Pflege Shaving & Refreshing Shaving...
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Graham Hill Pflege Shaving & Refreshing Shaving Set Shaving Brush + Casino Shaving Soap Bar 85 g + Mirabeau After Shave Tonic 100 ml 1 Stk.

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Graham Hill Pflege Shaving & Refreshing Arnage ...
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Mit dem Shaving & Refreshing Face and Beard Balm Amage von Graham Hill können Sie Ihre Haut nach der Rasur beruhigen und geschmeidig pflegen. Der After Shave Balsam ist somit die perfekte Wahl, um die Rasur im Gesicht und Nackenbereich mild abzuschließen. Kombinieren können Sie den Balsam zum Beispiel mit der Casino Shaving Soap Bar.Feuchtigkeitsspendende After Shave Pflege mit erfrischendem DuftDer Shaving & Refreshing Face and Beard Balm Amage von Graham Hill ist ein besonders milder After Shave Balsam, der sich dank seiner rückfettenden Wirkung auch bestens zur täglichen Bartpflege eignet und ein herrlich geschmeidiges Gefühl hinterlässt. Mit Inhaltsstoffen wie Panthenol, Arginin und Minze werden Haut und Bart gepflegt, geschützt und mit Feuchtigkeit versorgt. Außerdem verströmt das Face and Beard Balm einen sanften Duft nach Grüntee, der die von der Rasur beanspruchte Haut zuverlässig erfrischt und beruhigt.Eine entsprechende Menge des Balsams wird nach der Rasur in den Bart und auf die Haut von Gesicht und Hals einmassiert. Das Produkt sorgt sofort für ein beruhigtes, erfrischtes Gefühl.

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Cold Blood - Kein Ausweg, keine Gnade (DVD)
7,99 € *
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Addison und seine Schwester Liza sind nach einem Casino-Überfall auf der Flucht im verschneiten Nirgendwo von Michigan. Nach einem Autounfall beschließen sie, sich zu trennen. Mitten in einem Blizzard wird Liza von Jay aufgelesen, der - gerade aus dem Gefängnis entlassen - zum Haus seiner Eltern Chet und June unterwegs ist. Zur gleichen Zeit schlägt sich Addison zu Fuß durch und hinterlässt eine blutige Spur, unberechenbar und gewaltbereit, eine Gefahr auch für Sheriff Becker und dessen Tochter und Deputy Sheriff Hanna. Auch Addison führt der Weg zum Haus von Chet und June, die sich nichtsahnend auf das Thanksgiving-Wochenende vorbereiten.Darsteller:Charlie Hunnam, Eric Bana, Olivia Wilde, Allison Graham, Jason Cavalier, Jocelyne Zucco, John Robinson, Kris Kristofferson, Kyle Gatehouse, Patrick Kerton, Sissy Spacek, Treat Williams

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Cold Blood - Kein Ausweg, keine Gnade (BLU-RAY)
12,99 € *
zzgl. 6,00 € Versand

Addison und seine Schwester Liza sind nach einem Casino-Überfall auf der Flucht im verschneiten Nirgendwo von Michigan. Nach einem Autounfall beschließen sie, sich zu trennen. Mitten in einem Blizzard wird Liza von Jay aufgelesen, der - gerade aus dem Gefängnis entlassen - zum Haus seiner Eltern Chet und June unterwegs ist. Zur gleichen Zeit schlägt sich Addison zu Fuß durch und hinterlässt eine blutige Spur, unberechenbar und gewaltbereit, eine Gefahr auch für Sheriff Becker und dessen Tochter und Deputy Sheriff Hanna. Auch Addison führt der Weg zum Haus von Chet und June, die sich nichtsahnend auf das Thanksgiving-Wochenende vorbereiten.Darsteller:Charlie Hunnam, Eric Bana, Olivia Wilde, Allison Graham, Jason Cavalier, Jocelyne Zucco, John Robinson, Kris Kristofferson, Kyle Gatehouse, Patrick Kerton, Sissy Spacek, Treat Williams

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Winged Creatures , Hörbuch, Digital, 1, 560min
9,95 € *
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Winged Creatures is the startling and intimate story of six survivors of a gun massacre. Hidden under a table, teenagers Anne and Jimmy watched as the gunman indiscriminately murdered Anne's father and others, then himself. Struggling to understand her father's death, Anne experiences a virulent religious conversion. Jimmy ceases to speak, protecting a secret that he and Anne share until it nearly destroys him and his fractured family. Charlie, a barely-wounded driving-school teacher, attempts to make his incredible luck work for him at the casino. Carla, the restaurant cashier, loses her ability to take care of herself and her infant son. Ron Abler, a psychologist, attempts to help the survivors, but is met with suspicion and little response. Dr. Laraby, an ER physician who failed to save two of the victims, turns to his wife as someone to "save". Driven by secret torments and dangerous compulsions, they each struggle to regain their trust in the ordinary world. 1. Language: English. Narrator: Dion Graham. Audio sample: http://samples.audible.de/bk/blak/002471/bk_blak_002471_sample.mp3. Digital audiobook in aax.

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The Roots of Reno , Hörbuch, Digital, 1, 445min
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Reno was truly “Hell on Wheels” in the 1920's. The rest of the nation considered the town Sodom and Gomorra, but that's only half the truth. Reno offered everything in the way of adult entertainment, from speakeasies and houses of ill-repute, to open gaming - legal or not. And it took plenty of sins by the founding fathers to make Reno “The biggest little city in the world.” When the gold-veins of Tonopah and Goldfield ran out, the casino owners moved to Reno, where even greater riches awaited. Together, a group of four men (Nick Abelman, Bill Graham, Jim McKay, George Wingfield) took over Reno's casinos and held sway over the town for the next three decades. Together, they administered policy, collected juice, ran politicians, and owned the red-light district and most of the town's casinos. When that wasn't enough they took over the banks and laundered money for crooks like “Pretty Boy” Floyd, Alvin Karpis, and Ma Barker's boys, and offered safety to “Baby Face” Nelson. It was a good gig. The Reno Four dictated policy all over northern Nevada, taking special care of Reno and Lake Tahoe casinos up until the late 1950's. Their influence made Reno before Bill Harrah or “Pappy” Smith ever arrived, needing an introduction and permission to build their own casinos, Harold's Club and Harrah's.. 1. Language: English. Narrator: Jason Sullivan. Audio sample: http://samples.audible.de/bk/acx0/006001/bk_acx0_006001_sample.mp3. Digital audiobook in aax.

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10cc in Concert
42,50 € *
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10ccBiography (full version)Among the most inventive and influential bands in the history of popular music, 10cc are one of the very few acts to have achieved commercial, critical and creative success in equal measure. Testament to 10cc?s ongoing appeal, the band can count a generation straddling array of fellow artists, everyone from Chrissie Hynde to The Feeling?s Dan Gillespie and Axl Rose to Sophie Ellis Bextor, among their many millions of fans. I´m Not In Love, co-written by Graham Gouldman and Eric Stewart, features prominently in the soundtrack to the 2014 blockbuster film Guardians of the Galaxy, which grossed $635 million in its first two months in US cinemas and spawned a No 1 album. Meanwhile, a key element of the soundtrack to 2010?s Facebook feature film The Social Network is Dreadlock Holiday, which is also the Sky Sports cricket reports theme in Australia.10cc has sold more than 30 million albums around the world and the band?s longevity is testament to their timeless songs, and reflecting Gouldman?s status as one of the world?s leading songwriters, he was inducted into America?s Songwriter?s Hall of Fame at a ceremony in New York in June. Previous inductees include Noel Coward, Burt Bacharach, Neil Sedaka, John Lennon, Paul McCartney, Bob Dylan, Bruce Springsteen, Leonard Cohen, Elton John and Sting.The band continues to traverse the globe and play countries as disparate as Iceland and South Africa, Latvia and Japan, as well as across Europe, Australia and New Zealand, Canada and the US. Following a 26-date UK tour in October-November, early 2019 will see the band play three concerts in Japan, before touring Denmark, Sweden and Norway, followed by a 15-date major city UK tour and the band?s first concert in Moscow. 10cc returns to the UK?s prestigeous, 5,200-capacity Royal Albert Hall in London on 2 May 2019.Gouldman attributes 10cc?s lasting appeal to the quality and individuality of the band?s songs. ?They don?t seem to date; they are original, we never followed any trend we simple wrote for our own pleasure. The fact that the songs are being played as often on the radio today as they ever were shows how true that is,? he says. /210cc Biography (full version) - page 210cc ruled the pop world at a time ? the 1970s ? when the charts were dominated by some of the most creative and colourful artistes in pop history. Unlike David Bowie, Queen, Elton John or Rod Stewart ? all of whom they stood shoulder-to-shoulder with for a decade ? 10cc?s energies were not centred on image or celebrity-status, but on creating highly sophisticated rock masterworks with mainstream appeal. Early influences on the band included The Beatles and the Beach Boys, but their palate proved wide. Says Gouldman: ?For me it was people like Burt Bacharach and Hal David, Jimmy Webb, Eddie Cochran, Buddy Holly and the Everly Brothers. Eric [Stewart] was more rock ?n? roll, the blues and R&B; while Kevin [Godley] and Lol [Creme] were into more artistic and avant-garde acts including Jacques Brel. It?s what happened when we put all those things together that made 10cc.? The result was some of the greatest pop records of the 20th Century. From breakthrough hit Donna in 1972 to their final No 1, Dreadlock Holiday in 1978, via landmark releases including 1975 worldwide hit I?m Not In Love, 10cc stood for the kind of heightened pop sensibility achieved only by the very greatest music practitioners. As Rolling Stone magazine put it in 1975, ?There is more going on in one 10cc song than on the last ten Yes albums.?With hit song-writing credits with bands including the Yardbirds, Hollies and Herman?s Hermits under his belt, the early 1970s saw Gouldman and his compatriots reach new levels of creative endeavour. He spent time in New York writing for bubblegum kings Jerry Kazenetz and Jeff Katz., but fed up with being away from home, he returned to the UK to record the songs he had written Stateside with his friends at Strawberry Studios in Stockport. Back in Manchester, Stewart, Godley and Creme had also been busy, with Stewart testing a new four-track recorder that lead to the recording of Neanderthal Man, a track that went on to enjoy 14 weeks in the UK charts in 1970, peaking at No 2. The band was called Hotlegs and comprised Godley, Creme, Stewart, and briefly Gouldman.In1972 Gouldman?s manager Harvey Lisberg (later to become 10cc?s manager) met Neil Sedaka, who was playing a residency at Batley Variety Club in Yorkshire. Sedaka?s career was in decline and Lisberg suggested he worked with the guys at Strawberry. The result was Sedaka?s hit comeback album Solitaire, produced by Gouldman, Stewart, Godley and Creme, with Stewart acting as engineer.?We all learned so much from those sessions. Neil?s sheer professionalism, musicianship and song-writing were inspiring,? says Gouldman./310cc Biography (full version) - page 3 ?We?d done a few tracks and we needed a B-side for Waterfall [a Gouldman/Stewart composition]. There was a possibility that it would come out on the Apple label, which we were very excited about, because any connection with the Beatles was great,? says Gouldman. A Godley and Creme song, Donna, was chosen. ?We didn?t have a name for the band and weren?t bent on world domination or anything, but Donna made us sit up and notice ourselves, that we actually had something special.?And so 10cc was born, Donna became the A side and reached No 2 in the UK charts. Right from the start it was obvious they weren?t like other groups. All four could sing, were adept in the recording studio, and were seasoned musicians more interested in pleasing themselves than writing to a formula. Not long after Donna was released, Sedaka returned to Strawberry to record a second album, The Tra-La Days Are Over, with the same team, and his career took off again.10cc comprised essentially two song-writing camps, Gouldman and Stewart, plus Godley and Creme, although they would sometimes intermingle. ?Our principle was always the music,? says Gouldman, ?whatever?s best for the song. That means if I can sing better than you on it, that?s what happens. Or if Lol can play lead guitar better than you, he?ll do it. Consequently we had four singers in the band, four instrumentalists and four producers, plus Eric also engineered the sessions.?The other thing was whoever wrote the song, it kind of became the property of the four of us. You couldn?t say, ?That song is crap, I don?t want anything to do with it?. What you had to say was, ?I don?t like that part of the song, but I think we could make it better by doing this?. You always had to come up with something positive.??It was the combination of all four of us that made the difference, not only in the song-writing, but in the production values as well,? says Gouldman.Whether it?s the eight-minute pop opera Une Nuit a Paris, or the No.1 hit pop masterpiece I?m Not In Love, both from The Original Soundtrack (1975) album, no two 10cc records sound the same,?A very important element,? explains Gouldman, ?was we were completely self-contained. There wasn?t even a producer. If Eric was singing one of us would work the board. We used to just give the tracks straight to the record company.?Indeed, they didn?t even have a recognisable frontman. ?Eric was a very good-looking guy who took on the role quite often, and Lol was also brilliant out front. But you?d never know on the record who was playing guitar or even who was singing sometimes.?/410cc Biography (full version) - page 4The first time 10cc played live, at the Isle of Man Casino in 1973, they were taken aback at the response. ?We went onstage and girls started screaming! It was like, what the f**k is going on? We imagined ourselves as professors of pop who were going to give a lecture on pop music, but it wasn?t like that at all.?The critical plaudits also rolled in. Rolling Stone calling The Original Soundtrack, ?better than anything the Beach Boys have done of late?. The NME described I?m Not In Love as ?a John Lennon song with a Paul McCartney vocal?. In an age where critics spent an inordinate amount of time trying to identify the new Beatles, 10cc increasingly seemed to fit the bill.?Because we existed in our own world, we didn?t need anyone to tell us how good we were. We listened to the records and went, this is everything we want it to be and more.? Even after the astonishing success of I?m Not In Love, they refused to play the game and followed it up with the acidic Art For Art?s Sake ? and scored another Top 5 hit.?Art for art?s sake, money for God?s sake, was something my late father used to say to me, although he wasn?t cynical like that at all ? he was very artistic. But it?s such a lovely phrase. Eric had this riff and I just started singing that, and the song came.?The biggest surprise of all was the departure of Godley and Creme after their next album, How Dare You? ?It was horrible,? Gouldman confesses. ?It was an absolute disaster. Like getting a divorce.?Godley and Creme had become preoccupied with the Gizmotron ? from the word ?gizmo? ? a device they had invented which when applied could bring new sounds and textures out of an electric guitar. Obsessed with devising a showcase for it, they began recording a triple album together, Consequences.Says a reflective Gouldman now, ?Kev and I, who stayed quite close, have talked about this since and have decided what should have happened; he and Lol should have gone go off and done their thing for a year or so, then allowed 10cc to resume. ?But that?s just not how things were done in the ?70s. No one had a year off. Plus I think the record company were probably expecting another album, tours were booked and so on.?Instead, Gouldman and Stewart continued as 10cc and scored more notable successes with their next two albums, Deceptive Bends (1977) ? featuring their next worldwide hit single Things We Do For Love ? and Bloody Tourists (1978), which spawned another international hit, Dreadlock Holiday.?We were on a mission to prove ourselves,? says Gouldman, ?This wasn?t like a couple of guys leaving the band who just played their instruments. This was two of the producers going, two of the singers going, two of the songwriters going. So it was a real 50 percent gone.?Ultimately, the split took its toll and when Stewart was badly injured in a car crash in 1979, the writing was on the wall. /510cc Biography (full version) - page 5?It flattened me completely,? Stewart later recalled. ?I damaged my left ear and eye very badly. I couldn´t go near music. I couldn´t go near anything loud and I love music and motor-racing. I had to stay away from both things for a long time [and] the momentum of this big machine that we´d had rolling slowed and slowed and slowed. And on the music scene, the punk thing had come in a big way.?All four original members enjoyed very successful post-10cc careers. Godley and Creme continued as a partnership, recording their own hit records and becoming Grammy-winning video directors for acts including Ultravox, The Police, Duran Duran and Frankie Goes To Hollywood. Stewart collaborated on three Paul McCartney albums in the 1980s and continues to record sporadically as a solo artiste, his most recent collection being Viva La Difference in 2009.Meanwhile Gouldman spent the 1980s concentrating on recording soundtracks for films such as Farah Fawcett?s Sunburn and the American animation Animalympics. He also worked as a producer with The Ramones and Gilbert O?Sullivan. He then formed Wax with American songwriter Andrew ?Lonely Boy? Gold and had hits with Right Between The Eyes and Bridge To You Heart.There were two final Gouldman-Stewart directed 10cc albums in the ?90s, the first ... Meanwhile (1992), featured contributions from both Godley and Creme, while the last, Mirror Mirror (1995), despite featuring contributions from McCartney and Gold, was more a collection of Gouldman and Stewart solo songs. That same year, 10cc received a BMI citation for three million plays on US radio for I?m Not In Love (since risen to five million). This followed the BMI citation for two million plays (since risen to 3.5m) of Things We Do For Love,In 2002, the 30th anniversary of the band?s debut hit Donna, 10cc began to creep back into the national consciousness. With Gouldman fronting a new touring band, a 28-date UK tour was followed by a series of one-off events across Europe. The band have continued to regularly tour the world ever since. In 2006, Universal records released the TV-advertised, double CD 10cc: Greatest Hits ? And More, and the following year national newspaper the Mail On Sunday produced a special 10-track, cover-mount Best of 10cc Live CD, distributing more than 2.4 million copies throughout the UK and Ireland. The paper reported that sales rose by 232,000 on the day of publication.For the band?s 40th anniversary year in 2012, Universal Records released a new five-CD box set entitled Tenology, featuring 80 tracks chosen by the four original band members.A world tour took 10cc as far and wide as Iceland and Australia, and saw them play London?s Royal Albert Hall for the first time. The landmark concert saw Kevin Godley guest on several numbers including a capella version of Donna./610cc Biography (full version) - page 6After 50 concerts with 10cc that year, Gouldman decided to tour as an acoustic outfit, Heart Full of Songs, which included10cc?s Rick Fenn, Mick Wilson and Mike Stevens. Their set included hits Gouldman wrote for The Hollies, Herman?s Hermits, the Yardbirds and film soundtracks, along with material from his new solo album Love And Work.In 2013, 10cc joined Status Quo for a tour of UK arenas, including London?s 20,000-capacity The O2. In the years since, the band have toured in Australia, Ireland Japan, New Zealand across the UK and Europe and at London?s 60,000-capacity British Summer Time festival in Hyde Park.?Year on year we get busier and busier. It?s great, we love touring and playing together and we get on really well. The audiences these days are very gratifying. You get the people you would expect, who grew up with 10cc, but you also get young kids who know the songs too,? says Gouldman. With four decades of song-writing excellence and a crack band of musicians behind him Gouldman confidently promises, ?This is as near as you?re ever going to get to hearing the perfect 10cc. Hit after hit after hit. It?s relentless. We show no mercy.?The live band?s line-up is:Graham Gouldman-bass, guitars, vocalsRick Fenn - lead guitar, vocals, bass guitarPaul Burgess - drums, percussionIain Hornal - vocals, percussion, guitar, keyboardsKeith Hayman - keyboards, guitar, bass, vocalsPaul has worked with 10cc from the beginning and Rick joined the live band in the mid-?70s. 10cc ? Top UK Chart Positions I?m Not In Love 1Dreadlock Holiday 1Rubber Bullets 1Donna 2Art For Art?s Sake 5Good Morning Judge 5The Things We Do For Love 6I?m Mandy Fly Me 6Life Is A Minestrone 7The Dean And I 10The Wall Street Shuffle 10/710cc Biography (full version) - page 7Some additional information?10cc has sold more than 15 million albums in the UK.?10cc has sold more than 30 million albums worldwide?I?m Not In Love has been played over five million times on US radio.?YouTube videos of I?m Not In Love, both old and with the current band, have been viewed more that 30 million times overall. ?A YouTube video clip about the making of I?m Not In Love circulated the globe in late-2010, resulting in increased name-checks by bloggers and DJs.?Things We Do For Love has been played over 3.5 million times on US radio.?I?m Not In Love was part of the soundtrack of the 2004 film Bridget Jones: The Edge of Reason.?Dreadlock Holiday is featured on the soundtrack of the 2010 film The Social Network, about the founding of Facebook ?I?m Not In Love is lead track on the 2015 blockbuster Disney film Guardians of the Galaxy, which grossed $635 million in its first two months in US cinemas and spawned a No 1 album there.?Axl Rose of Guns N?Roses says of I?m Not In Love, ?that song messes with my life, man. It?s one of my favourite songs of all time.??In 1993, Will To Power hit the Top 10 in the UK with its version of I?m Not In Love. It has also been recorded by, among others, The Pretenders (for the film Indecent Proposal), Peggy Lee, Richie Havens, Fun Lovin? Criminals, and more recently Diana Krall and The Flaming Lips.

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Stand: 24.11.2020
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10cc in Concert
49,95 € *
zzgl. 5,95 € Versand

10ccBiography (full version)Among the most inventive and influential bands in the history of popular music, 10cc are one of the very few acts to have achieved commercial, critical and creative success in equal measure. Testament to 10cc?s ongoing appeal, the band can count a generation straddling array of fellow artists, everyone from Chrissie Hynde to The Feeling?s Dan Gillespie and Axl Rose to Sophie Ellis Bextor, among their many millions of fans. I´m Not In Love, co-written by Graham Gouldman and Eric Stewart, features prominently in the soundtrack to the 2014 blockbuster film Guardians of the Galaxy, which grossed $635 million in its first two months in US cinemas and spawned a No 1 album. Meanwhile, a key element of the soundtrack to 2010?s Facebook feature film The Social Network is Dreadlock Holiday, which is also the Sky Sports cricket reports theme in Australia.10cc has sold more than 30 million albums around the world and the band?s longevity is testament to their timeless songs, and reflecting Gouldman?s status as one of the world?s leading songwriters, he was inducted into America?s Songwriter?s Hall of Fame at a ceremony in New York in June. Previous inductees include Noel Coward, Burt Bacharach, Neil Sedaka, John Lennon, Paul McCartney, Bob Dylan, Bruce Springsteen, Leonard Cohen, Elton John and Sting.The band continues to traverse the globe and play countries as disparate as Iceland and South Africa, Latvia and Japan, as well as across Europe, Australia and New Zealand, Canada and the US. Following a 26-date UK tour in October-November, early 2019 will see the band play three concerts in Japan, before touring Denmark, Sweden and Norway, followed by a 15-date major city UK tour and the band?s first concert in Moscow. 10cc returns to the UK?s prestigeous, 5,200-capacity Royal Albert Hall in London on 2 May 2019.Gouldman attributes 10cc?s lasting appeal to the quality and individuality of the band?s songs. ?They don?t seem to date; they are original, we never followed any trend we simple wrote for our own pleasure. The fact that the songs are being played as often on the radio today as they ever were shows how true that is,? he says. /210cc Biography (full version) - page 210cc ruled the pop world at a time ? the 1970s ? when the charts were dominated by some of the most creative and colourful artistes in pop history. Unlike David Bowie, Queen, Elton John or Rod Stewart ? all of whom they stood shoulder-to-shoulder with for a decade ? 10cc?s energies were not centred on image or celebrity-status, but on creating highly sophisticated rock masterworks with mainstream appeal. Early influences on the band included The Beatles and the Beach Boys, but their palate proved wide. Says Gouldman: ?For me it was people like Burt Bacharach and Hal David, Jimmy Webb, Eddie Cochran, Buddy Holly and the Everly Brothers. Eric [Stewart] was more rock ?n? roll, the blues and R&B; while Kevin [Godley] and Lol [Creme] were into more artistic and avant-garde acts including Jacques Brel. It?s what happened when we put all those things together that made 10cc.? The result was some of the greatest pop records of the 20th Century. From breakthrough hit Donna in 1972 to their final No 1, Dreadlock Holiday in 1978, via landmark releases including 1975 worldwide hit I?m Not In Love, 10cc stood for the kind of heightened pop sensibility achieved only by the very greatest music practitioners. As Rolling Stone magazine put it in 1975, ?There is more going on in one 10cc song than on the last ten Yes albums.?With hit song-writing credits with bands including the Yardbirds, Hollies and Herman?s Hermits under his belt, the early 1970s saw Gouldman and his compatriots reach new levels of creative endeavour. He spent time in New York writing for bubblegum kings Jerry Kazenetz and Jeff Katz., but fed up with being away from home, he returned to the UK to record the songs he had written Stateside with his friends at Strawberry Studios in Stockport. Back in Manchester, Stewart, Godley and Creme had also been busy, with Stewart testing a new four-track recorder that lead to the recording of Neanderthal Man, a track that went on to enjoy 14 weeks in the UK charts in 1970, peaking at No 2. The band was called Hotlegs and comprised Godley, Creme, Stewart, and briefly Gouldman.In1972 Gouldman?s manager Harvey Lisberg (later to become 10cc?s manager) met Neil Sedaka, who was playing a residency at Batley Variety Club in Yorkshire. Sedaka?s career was in decline and Lisberg suggested he worked with the guys at Strawberry. The result was Sedaka?s hit comeback album Solitaire, produced by Gouldman, Stewart, Godley and Creme, with Stewart acting as engineer.?We all learned so much from those sessions. Neil?s sheer professionalism, musicianship and song-writing were inspiring,? says Gouldman./310cc Biography (full version) - page 3 ?We?d done a few tracks and we needed a B-side for Waterfall [a Gouldman/Stewart composition]. There was a possibility that it would come out on the Apple label, which we were very excited about, because any connection with the Beatles was great,? says Gouldman. A Godley and Creme song, Donna, was chosen. ?We didn?t have a name for the band and weren?t bent on world domination or anything, but Donna made us sit up and notice ourselves, that we actually had something special.?And so 10cc was born, Donna became the A side and reached No 2 in the UK charts. Right from the start it was obvious they weren?t like other groups. All four could sing, were adept in the recording studio, and were seasoned musicians more interested in pleasing themselves than writing to a formula. Not long after Donna was released, Sedaka returned to Strawberry to record a second album, The Tra-La Days Are Over, with the same team, and his career took off again.10cc comprised essentially two song-writing camps, Gouldman and Stewart, plus Godley and Creme, although they would sometimes intermingle. ?Our principle was always the music,? says Gouldman, ?whatever?s best for the song. That means if I can sing better than you on it, that?s what happens. Or if Lol can play lead guitar better than you, he?ll do it. Consequently we had four singers in the band, four instrumentalists and four producers, plus Eric also engineered the sessions.?The other thing was whoever wrote the song, it kind of became the property of the four of us. You couldn?t say, ?That song is crap, I don?t want anything to do with it?. What you had to say was, ?I don?t like that part of the song, but I think we could make it better by doing this?. You always had to come up with something positive.??It was the combination of all four of us that made the difference, not only in the song-writing, but in the production values as well,? says Gouldman.Whether it?s the eight-minute pop opera Une Nuit a Paris, or the No.1 hit pop masterpiece I?m Not In Love, both from The Original Soundtrack (1975) album, no two 10cc records sound the same,?A very important element,? explains Gouldman, ?was we were completely self-contained. There wasn?t even a producer. If Eric was singing one of us would work the board. We used to just give the tracks straight to the record company.?Indeed, they didn?t even have a recognisable frontman. ?Eric was a very good-looking guy who took on the role quite often, and Lol was also brilliant out front. But you?d never know on the record who was playing guitar or even who was singing sometimes.?/410cc Biography (full version) - page 4The first time 10cc played live, at the Isle of Man Casino in 1973, they were taken aback at the response. ?We went onstage and girls started screaming! It was like, what the f**k is going on? We imagined ourselves as professors of pop who were going to give a lecture on pop music, but it wasn?t like that at all.?The critical plaudits also rolled in. Rolling Stone calling The Original Soundtrack, ?better than anything the Beach Boys have done of late?. The NME described I?m Not In Love as ?a John Lennon song with a Paul McCartney vocal?. In an age where critics spent an inordinate amount of time trying to identify the new Beatles, 10cc increasingly seemed to fit the bill.?Because we existed in our own world, we didn?t need anyone to tell us how good we were. We listened to the records and went, this is everything we want it to be and more.? Even after the astonishing success of I?m Not In Love, they refused to play the game and followed it up with the acidic Art For Art?s Sake ? and scored another Top 5 hit.?Art for art?s sake, money for God?s sake, was something my late father used to say to me, although he wasn?t cynical like that at all ? he was very artistic. But it?s such a lovely phrase. Eric had this riff and I just started singing that, and the song came.?The biggest surprise of all was the departure of Godley and Creme after their next album, How Dare You? ?It was horrible,? Gouldman confesses. ?It was an absolute disaster. Like getting a divorce.?Godley and Creme had become preoccupied with the Gizmotron ? from the word ?gizmo? ? a device they had invented which when applied could bring new sounds and textures out of an electric guitar. Obsessed with devising a showcase for it, they began recording a triple album together, Consequences.Says a reflective Gouldman now, ?Kev and I, who stayed quite close, have talked about this since and have decided what should have happened; he and Lol should have gone go off and done their thing for a year or so, then allowed 10cc to resume. ?But that?s just not how things were done in the ?70s. No one had a year off. Plus I think the record company were probably expecting another album, tours were booked and so on.?Instead, Gouldman and Stewart continued as 10cc and scored more notable successes with their next two albums, Deceptive Bends (1977) ? featuring their next worldwide hit single Things We Do For Love ? and Bloody Tourists (1978), which spawned another international hit, Dreadlock Holiday.?We were on a mission to prove ourselves,? says Gouldman, ?This wasn?t like a couple of guys leaving the band who just played their instruments. This was two of the producers going, two of the singers going, two of the songwriters going. So it was a real 50 percent gone.?Ultimately, the split took its toll and when Stewart was badly injured in a car crash in 1979, the writing was on the wall. /510cc Biography (full version) - page 5?It flattened me completely,? Stewart later recalled. ?I damaged my left ear and eye very badly. I couldn´t go near music. I couldn´t go near anything loud and I love music and motor-racing. I had to stay away from both things for a long time [and] the momentum of this big machine that we´d had rolling slowed and slowed and slowed. And on the music scene, the punk thing had come in a big way.?All four original members enjoyed very successful post-10cc careers. Godley and Creme continued as a partnership, recording their own hit records and becoming Grammy-winning video directors for acts including Ultravox, The Police, Duran Duran and Frankie Goes To Hollywood. Stewart collaborated on three Paul McCartney albums in the 1980s and continues to record sporadically as a solo artiste, his most recent collection being Viva La Difference in 2009.Meanwhile Gouldman spent the 1980s concentrating on recording soundtracks for films such as Farah Fawcett?s Sunburn and the American animation Animalympics. He also worked as a producer with The Ramones and Gilbert O?Sullivan. He then formed Wax with American songwriter Andrew ?Lonely Boy? Gold and had hits with Right Between The Eyes and Bridge To You Heart.There were two final Gouldman-Stewart directed 10cc albums in the ?90s, the first ... Meanwhile (1992), featured contributions from both Godley and Creme, while the last, Mirror Mirror (1995), despite featuring contributions from McCartney and Gold, was more a collection of Gouldman and Stewart solo songs. That same year, 10cc received a BMI citation for three million plays on US radio for I?m Not In Love (since risen to five million). This followed the BMI citation for two million plays (since risen to 3.5m) of Things We Do For Love,In 2002, the 30th anniversary of the band?s debut hit Donna, 10cc began to creep back into the national consciousness. With Gouldman fronting a new touring band, a 28-date UK tour was followed by a series of one-off events across Europe. The band have continued to regularly tour the world ever since. In 2006, Universal records released the TV-advertised, double CD 10cc: Greatest Hits ? And More, and the following year national newspaper the Mail On Sunday produced a special 10-track, cover-mount Best of 10cc Live CD, distributing more than 2.4 million copies throughout the UK and Ireland. The paper reported that sales rose by 232,000 on the day of publication.For the band?s 40th anniversary year in 2012, Universal Records released a new five-CD box set entitled Tenology, featuring 80 tracks chosen by the four original band members.A world tour took 10cc as far and wide as Iceland and Australia, and saw them play London?s Royal Albert Hall for the first time. The landmark concert saw Kevin Godley guest on several numbers including a capella version of Donna./610cc Biography (full version) - page 6After 50 concerts with 10cc that year, Gouldman decided to tour as an acoustic outfit, Heart Full of Songs, which included10cc?s Rick Fenn, Mick Wilson and Mike Stevens. Their set included hits Gouldman wrote for The Hollies, Herman?s Hermits, the Yardbirds and film soundtracks, along with material from his new solo album Love And Work.In 2013, 10cc joined Status Quo for a tour of UK arenas, including London?s 20,000-capacity The O2. In the years since, the band have toured in Australia, Ireland Japan, New Zealand across the UK and Europe and at London?s 60,000-capacity British Summer Time festival in Hyde Park.?Year on year we get busier and busier. It?s great, we love touring and playing together and we get on really well. The audiences these days are very gratifying. You get the people you would expect, who grew up with 10cc, but you also get young kids who know the songs too,? says Gouldman. With four decades of song-writing excellence and a crack band of musicians behind him Gouldman confidently promises, ?This is as near as you?re ever going to get to hearing the perfect 10cc. Hit after hit after hit. It?s relentless. We show no mercy.?The live band?s line-up is:Graham Gouldman-bass, guitars, vocalsRick Fenn - lead guitar, vocals, bass guitarPaul Burgess - drums, percussionIain Hornal - vocals, percussion, guitar, keyboardsKeith Hayman - keyboards, guitar, bass, vocalsPaul has worked with 10cc from the beginning and Rick joined the live band in the mid-?70s. 10cc ? Top UK Chart Positions I?m Not In Love 1Dreadlock Holiday 1Rubber Bullets 1Donna 2Art For Art?s Sake 5Good Morning Judge 5The Things We Do For Love 6I?m Mandy Fly Me 6Life Is A Minestrone 7The Dean And I 10The Wall Street Shuffle 10/710cc Biography (full version) - page 7Some additional information?10cc has sold more than 15 million albums in the UK.?10cc has sold more than 30 million albums worldwide?I?m Not In Love has been played over five million times on US radio.?YouTube videos of I?m Not In Love, both old and with the current band, have been viewed more that 30 million times overall. ?A YouTube video clip about the making of I?m Not In Love circulated the globe in late-2010, resulting in increased name-checks by bloggers and DJs.?Things We Do For Love has been played over 3.5 million times on US radio.?I?m Not In Love was part of the soundtrack of the 2004 film Bridget Jones: The Edge of Reason.?Dreadlock Holiday is featured on the soundtrack of the 2010 film The Social Network, about the founding of Facebook ?I?m Not In Love is lead track on the 2015 blockbuster Disney film Guardians of the Galaxy, which grossed $635 million in its first two months in US cinemas and spawned a No 1 album there.?Axl Rose of Guns N?Roses says of I?m Not In Love, ?that song messes with my life, man. It?s one of my favourite songs of all time.??In 1993, Will To Power hit the Top 10 in the UK with its version of I?m Not In Love. It has also been recorded by, among others, The Pretenders (for the film Indecent Proposal), Peggy Lee, Richie Havens, Fun Lovin? Criminals, and more recently Diana Krall and The Flaming Lips.

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The Experience , Hörbuch, Digital, 1, 928min
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Simply adore The Experience! This was a great story that kept me on the edge of my seat the entire time. Cannot wait until the sequel coming in the Summer 2019. Keep writing them, Brandon!” A gripping Las Vegas thriller.The mentor.His name is Wish. He’s broken many laws to uncover secret truths about human relationships, attraction, and happiness. Truths that are unlikely to be found in textbooks, blogs, or seminars. Because of his troubled past, several forces are after him. He knows his time on earth is limited and needs to pass on his discoveries to a worthy pupil who’ll share his secrets with the world. The mentee.Social psychology professor Reid Bradley is viewed by his students to be an expert on relationships. He brings his girlfriend flowers every day, but the moment he catches her in bed with someone else, everything changes. Heartbroken and questioning all that he believes, Reid sets off on a journey for answers. The meeting.While at a casino bar in Las Vegas, Reid’s perceptions are challenged by an eccentric sage named Wish. Reid comes to learn that Wish is a street-smart sexual mystic who provides unique yet wise solutions for his problems - solutions that outshine anything he would find in academia. Wish offers to mentor Reid, teaching him the forbidden secrets of attractiveness, sexuality, relationships, and happiness. However, sharing such knowledge comes at a cost that can’t be fulfilled with money. Wish has bigger plans - an urgent and dangerous mission to complete.  UNKNOWN N N ©2017 Brandon Wade Alcocer;(P)2018 Brandon Wade Alcocer http://www.audible.de/pd/B07KKPBFBL?source_code=PNHFA145032019009G&ipRedirectOverride=true http://www.audible.de/pd/B07KKPBFBL?source_code=PNHFA145032019009G&ipRedirectOverride=true Ancient Civilizations: A Complete Overview on the Incas History, the Byzantine Empire, Maya History & Maya Mythology (Unabridged) 20.95 AVAILABLE Ancient Civilizations: A Complete Overview on the Incas History, the Byzantine Empire, Maya History & Maya Mythology (Unabridged) Ancient Civilizations (Unabridged) Eric Brown Discover the history of ancient civilizations and how they lived. This bundle contains three books: Incas, Maya Civilization, and The Byzantine Empire.... John B Leen Eric Brown 2018-11-13 00:00:00 299 B07KRN7YM7 English - History English 1.00 9.95 N http://img.audible.de/audiblewords/content/bk/acx0/134599de/lg_image.jpg http://samples.audible.de/bk/acx0/134599/bk_acx0_134599_sample.mp3 Discover the history of ancient civilizations and how they lived! This bundle contains three books: Incas, Maya Civilization, and The Byzantine Empire. IncasHave you always wanted to learn about the great Inca Empire, but your teachers refused to listen? Are you confused between Inca, Aztec, and Maya? Do you want to learn how the Inca people were unique from their Mesoamerican predecessors? Could you even draw the Inca Empire on a map? All this and more will be covered within this audiobook!Inside this book, you will find:  How an empire grew from such humble, and hostile, beginningsThe geographic location of the empireAn in-depth look at the Incan godsThe terrible civil warThe conquistadorsAnd moreMaya CivilizationThis book’s coverage begins with the development of the Maya through the ancient eras.Inside this book, you will find the following: The history of the Maya people and where their civilization began and expanded fromHow the name “Maya” came to be used for these peopleResults of the Spanish conquest of Mesoamerica and what it meant for the MayaWhy archaeologists believe the Maya empire fellAnd much more!The Byzantine EmpireThe history of the Byzantine Empire tells a tale of monumental victories and equally significant defeats - of a phoenix rising from the ashes over and over again, until it simply ran out of miracles.In this book, you will learn about:The division of east and westThe Fall of RomeJustinian’s Golden AgeIconoclasmThe CrusadesThe final fallAnd much moreDon’t wait another moment to enjoy this information. Get your copy of Ancient Civilizations right away! UNKNOWN N N ©2018 Eric Brown;(P)2018 Eric Brown http://www.audible.de/pd/B07KRN7YM7?source_code=PNHFA145032019009G&ipRedirectOverride=true http://www.audible.de/pd/B07KRN7YM7?source_code=PNHFA145032019009G&ipRedirectOverride=true Vineland (Unabridged) 31.95 AVAILABLE Vineland (Unabridged) Vineland (Unabridged) Thomas Pynchon Vineland in Northern California is the last refuge of hippiedom, a culture devastated by the sobriety epidemic, Reaganomics, and the Tube. Here, in an Orwellian 1984, Zoyd Wheeler and his daughter, Prairie, search for Prairie's long-lost mother, a '60s radical who ran off with a narc.... Graham Winton Recorded Books 2018-11-27 21:48:06 927 B07KWBZNWD English - Fiction English 1.00 9.95 N http://img.audible.de/audiblewords/content/bk/reco/012674de/lg_image.jpg http://samples.audible.de/bk/reco/012674/bk_reco_012674_sample.mp3 Vineland, a zone of blessed anarchy in Northern California, is the last refuge of hippiedom, a culture devastated by the sobriety epidemic, Reaganomics, and the Tube. Here, in an Orwellian 1984, Zoyd Wheeler and his daughter, Prairie, search for Prairie's long-lost mother, a '60s radical who ran off with a narc. Vineland is vintage Pynchon, full of quasi-allegorical characters, elaborate unresolved subplots, corny songs (Floozy with an Uzi"), movie spoofs (Pee-wee Herman in The Robert Musil Story), and illicit sex (including a macho variation on the infamous sports car scene in V.). 1. Language: English. Narrator: Gregory Russell. Audio sample: http://samples.audible.de/bk/acx0/133957/bk_acx0_133957_sample.mp3. Digital audiobook in aax.

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